Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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John Wootton
George III's Procession to the Houses of Parliament (mk25)

ID: 24313

John Wootton George III's Procession to the Houses of Parliament (mk25)
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John Wootton George III's Procession to the Houses of Parliament (mk25)


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John Wootton

1682 - 1764 English painter. He probably received some instruction from Jan Wyck in the 1690s, and he was possibly patronized from an early age by the aristocratic households of Beaufort and Coventry (as was Wyck), perhaps while working as a page to Lady Anne Somerset at Snitterfield House, Warwicks. However, there seems to be no real evidence for this save his early painted view of the house and the family's later acquisition of many of his works. Joseph Farington saw a painting of Diana and the Nymphs (1707; untraced) at Antony House, Cornwall, but Wootton's earliest extant dated work is the horse portrait Bonny Black (1711; Belvoir Castle, Leics). By this time he had begun to establish himself in London, having moved there before his first marriage, to Elizabeth Walsh, in 1706.   Related Paintings of John Wootton :. | The Siege of Lille (mk25) | The Duke of Marlborough at the Battle of Oudenaarde | Mr John Ward 6th Baron Ward | George II at Dettingen | Portrait of Sir Robert Walpole |
Related Artists:
DIJCK, Floris Claesz van
Dutch Baroque Era Painter, 1575-1651
Olof Sager-Nelson
painted Flicka pa blomsterang in 1889
Kristian Zahrtmann
(31 March 1843 - 22 June 1917) was a Danish painter. He was a part of the Danish artistic generation in the late 19th century, along with Peder Severin Krøyer and Theodor Esbern Philipsen, who broke away from both the strictures of traditional Academicism and the heritage of the Golden Age of Danish Painting, in favor of naturalism and realism. He was known especially for his history paintings, and especially those depicting strong, tragic, legendary women in Danish history. He also produced works of many other genres including landscapes, street scenes, folk scenes and portraits. He had a far-reaching effect on the development of Danish art through his effective support of individual style among his students during the many years he taught, and by his pioneering use of color.






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